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After making The Turning
Point I needed to restore some kind of balance. There was a desire
to make soft music, meditative and friendly. All songs except the
last one are in tune with the Earth Year, or the OM sound. It makes
the music resonate with our body and mind in such a way that it is
easy to slip into a different state of consiousness; it is the
frequency that has been used for thousands of years in India to
meditate upon the OM sound and symbol.
The music itself is
soothing and relaxed. It could be called ambient because you can
either listen and go into it, or just let it float around in your
room while doing something else.
There are amorph soundscapes
as well as folk-like tunes and melodies, interwoven in a bed of
spatial coloursound. No rythm machines. It is slowed down music for
relaxation with room for silence as well.
Sabda is the first of
another Trilogy with Elements and The fascinating Vibes of
Electronic Waves as second and third part. Now I was moving from
very slowed down electronic music towards more complex. It became a
journey through the history of a certain kind of early playfull
electronic music, interpreted within the current state of music
technology. A sort of simplefied electronic music, build upon a
certain nostalgia towards the most ignored era of electronic music
inventions and experimentation, in the fifties- indeed when ideas
were developed that would later on fuel the psychedelic era.
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